2010 Lecture Notes, 2010
Select: 2010 Lecture Notes, 2010
"Access to the Arts in Higher Education for Minorities: A Perspective", 1952
Select: "Access to the Arts in Higher Education for Minorities: A Perspective", 1952
"African American Abstraction", circa 1990s-2000s
Select: "African American Abstraction", circa 1990s-2000s
"African American Art of the Twentieth Century (Introduction)", 1991
Select: "African American Art of the Twentieth Century (Introduction)", 1991 Scope and Contents Also includes "African American Art Text" outline.
"African American Art History—Then and Now: Some Personal Reflections", 2002
Select: "African American Art History—Then and Now: Some Personal Reflections", 2002 Scope and Contents Also includes notes "CAA Panel organized by Mary Ann Calo."
African American Art Reader Edited by Floyd Coleman and Bennie F. Johnson, circa 1990s
Select: African American Art Reader Edited by Floyd Coleman and Bennie F. Johnson, circa 1990s
"The African American Artist: Traditions and Challenges", circa 2000s
Select: "The African American Artist: Traditions and Challenges", circa 2000s
"African American Artists in the Development of Modernist Art in North America," MLK Library, circa 1990s
Select: "African American Artists in the Development of Modernist Art in North America," MLK Library, circa 1990s
"African American Representation in the Nineteenth Century" Lecture, American Voices: New Approaches to the Permanent Collection , Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1994
Select: "African American Representation in the Nineteenth Century" Lecture, American Voices: New Approaches to the Permanent Collection, Museum of American Art of the Pennsylvania Academy of the Fine Arts, 1994
Alabama Black Artists, Notes and Lists for Project with Bill Colvin, undated
Select: Alabama Black Artists, Notes and Lists for Project with Bill Colvin, undated
"Art, Civil Rights, Freedom Summer: Visualizing a Culture of Resistance", circa 2015
Select: "Art, Civil Rights, Freedom Summer: Visualizing a Culture of Resistance", circa 2015
"Art, Culture and Black Electoral Politics in Urban America Since the Mid-1960s", 2011
Select: "Art, Culture and Black Electoral Politics in Urban America Since the Mid-1960s", 2011
"The Artistic Vision of Delilah Pierce", circa 2015
Select: "The Artistic Vision of Delilah Pierce", circa 2015
Autobiographical Writings, circa 2011
Select: Autobiographical Writings, circa 2011
"The Black Atlantic Tradition: Contemporary African and African American Art", circa 1990s-2000
Select: "The Black Atlantic Tradition: Contemporary African and African American Art", circa 1990s-2000
"Black Colleges and the Development of an African American Visual Arts Tradition", circa 1993
Select: "Black Colleges and the Development of an African American Visual Arts Tradition", circa 1993 Scope and Contents Also includes "Art, Identity, and the Black College."
"Black Continuities in the Art of the Harlem Renaissance" by Floyd Coleman and John Adkins Richardson, circa 1970s-1980s
Select: "Black Continuities in the Art of the Harlem Renaissance" by Floyd Coleman and John Adkins Richardson, circa 1970s-1980s
"The Center Comes Alive: The African American Artist and the Struggle for Freedom, 1963-1993," IRAA, 1997
Select: "The Center Comes Alive: The African American Artist and the Struggle for Freedom, 1963-1993," IRAA, 1997
"Collected Rhythms: the Visual Arts Collection of Musician Donald Byrd", circa 2000s
Select: "Collected Rhythms: the Visual Arts Collection of Musician Donald Byrd", circa 2000s
"The Concept of Freedom and the Emancipatory Quest: A Remembrance," Notes and Program Drafts, 1987, 1993
Select: "The Concept of Freedom and the Emancipatory Quest: A Remembrance," Notes and Program Drafts, 1987, 1993 Scope and Contents Also includes program for Image of Black Slavery in Creative Documents of the 17th, 18th, and 19th Centuries: An Interdisciplinary Approach to the Humanities, first annual conference.
"Connecting Art, Shaping Lives: African American and Ghananian Artistic Connections", 2002
Select: "Connecting Art, Shaping Lives: African American and Ghananian Artistic Connections", 2002
"Creating Community: Artistic Expression and African American Identity," One Hundred Masterpieces from the Howard University Art Collection , 2000-2001
Select: "Creating Community: Artistic Expression and African American Identity," One Hundred Masterpieces from the Howard University Art Collection, 2000-2001
"Defining the African American Experience Through Discursive and Non-Discursive Means: Exploring the Art of Margaret Walker and Jacob Lawrence", circa 1990s-2000s
Select: "Defining the African American Experience Through Discursive and Non-Discursive Means: Exploring the Art of Margaret Walker and Jacob Lawrence", circa 1990s-2000s
"Defining the Canon: Perspectives on African American Art, 1840-1990," 150th Anniversary of Wadsworth Atheneum, circa 1992
Select: "Defining the Canon: Perspectives on African American Art, 1840-1990," 150th Anniversary of Wadsworth Atheneum, circa 1992
District of Columbia Arts Center (DCAC) First Anniversary Brunch and Awards Reception, circa 1990
Select: District of Columbia Arts Center (DCAC) First Anniversary Brunch and Awards Reception, circa 1990
"A Few Observations About the Pieces in the Paul Jones Collection at the University of Delaware", 2008
Select: "A Few Observations About the Pieces in the Paul Jones Collection at the University of Delaware", 2008
"Four Texts, Multiple Critical Sub-Texts: Interpreting and Evaluating African American Art During the Last Decade", 1997-2000
Select: "Four Texts, Multiple Critical Sub-Texts: Interpreting and Evaluating African American Art During the Last Decade", 1997-2000 Scope and Contents Includes photographs of Floyd Coleman.
"The Importance of the Decorative Arts in African-American History", 1998
Select: "The Importance of the Decorative Arts in African-American History", 1998 Scope and Contents Foreword for Hidden in Plain View: A Secret Story of Quilts and the Underground Railroad by Jacqueline L. Tobin and Raymond G. Dobard. Also includes "Afrcan-American Quilts: Styles and Traditions" from the same book.
Interview with Peter L. Robinson, Jr., 2003
Select: Interview with Peter L. Robinson, Jr., 2003 2 Floppy discs
"Legacy of Struggle and Triumph: Icons of 'An Inside View'", 2002
Select: "Legacy of Struggle and Triumph: Icons of 'An Inside View'", 2002
"Making Choices, Making Images: the Art of Stephanie Pogue", 1996
Select: "Making Choices, Making Images: the Art of Stephanie Pogue", 1996
Notes on Lectures by Others, 1995-circa 2000s
Select: Notes on Lectures by Others, 1995-circa 2000s
Notes, circa 1980s-2010s
Select: Notes, circa 1980s-2010s
Notes/Lectures on Art and Resistance, circa 1990s
Select: Notes/Lectures on Art and Resistance, circa 1990s
"Painting Culture: African American Art Since 1850", circa 1990s
Select: "Painting Culture: African American Art Since 1850", circa 1990s
"Persistence of African Influence in Artistic Expression in the Caribbean: A Dynamic Cultural Mosaic", circa 1989
Select: "Persistence of African Influence in Artistic Expression in the Caribbean: A Dynamic Cultural Mosaic", circa 1989
"Positive Negatives and Negative Positives: Another Look at the Images of Uncle Tom and Aunt Jemima," Eighth National Convention, Popular Culture Association, 1978-1988
Select: "Positive Negatives and Negative Positives: Another Look at the Images of Uncle Tom and Aunt Jemima," Eighth National Convention, Popular Culture Association, 1978-1988
"Positive Negatives and Negative Positives: Confronting Black Stereotypes Through Visual Expression", circa 1988
Select: "Positive Negatives and Negative Positives: Confronting Black Stereotypes Through Visual Expression", circa 1988 Scope and Contents Includes printed material and reproduction requests.
"Race, Art, Culture and African Americans", circa 1990s
Select: "Race, Art, Culture and African Americans", circa 1990s
Response to New York Times Review of "Black Male" Exhibition at the Whitney Museum of American Art, 1994
Select: Response to New York Times Review of "Black Male" Exhibition at the Whitney Museum of American Art, 1994
"Sites of Affirmation and Renewal: Black Colleges and Universities, Art and Culture in Black America", circa 2000
Select: "Sites of Affirmation and Renewal: Black Colleges and Universities, Art and Culture in Black America", circa 2000
"Telling, Inventing, and Reinventing: The Art of Gregory Ridley and William Anderson", 1996
Select: "Telling, Inventing, and Reinventing: The Art of Gregory Ridley and William Anderson", 1996
"They Didn't Take the Train North: African American Image Makers and the Visual Arts Heritage of the South", circa 1980s
Select: "They Didn't Take the Train North: African American Image Makers and the Visual Arts Heritage of the South", circa 1980s
"Towards an Aesthetic Toughness in Afro-American Art", circa 1977
Select: "Towards an Aesthetic Toughnessin Afro-American Art", circa 1977
Unidentified Lecture Recording, Freshman Seminar "Coleman Discusses His Artwork", circa 1990s-2010s
Select: Unidentified Lecture Recording, Freshman Seminar "Coleman Discusses His Artwork", circa 1990s-2010s 1 Sound cassettes (microcassette)
Unidentified or Partial Writings, undated
Select: Unidentified or Partial Writings, undated
"Visualizing Legacy: Selected Icons of African American and American Art", circa 2000s
Select: "Visualizing Legacy: Selected Icons of African American and American Art", circa 2000s
Writings on Art and Artists, Born-Digital Files
Select: Writings on Art and Artists, Born-Digital Files 15 Floppy discs Scope and Contents Writings may be related to or duplicate files in other series.
Writings on the Black Arts Movement, circa 1978-circa 2004
Select: Writings on the Black Arts Movement, circa 1978-circa 2004 Scope and Contents Also includes some printed material.
Writings on Franz Boas, circa 1990s-2010s
Select: Writings on Franz Boas, circa 1990s-2010s
Writings on Tritobia Hayes Benjamin, circa 2000s-2010s
Select: Writings on Tritobia Hayes Benjamin, circa 2000s-2010s
Writings by Others
Select: Writings by Others
"African-American Studies and the State of the Art" by Russell L. Adams, circa 1993
Select: "African-American Studies and the State of the Art" by Russell L. Adams, circa 1993
Thesis Prospectus, "The Career of Mary Edmonia Lewis: Artist, Expatriate, Victorian American, 1859-1876" by Kirsten Pai Buick, 1994
Select: Thesis Prospectus, "The Career of Mary Edmonia Lewis: Artist, Expatriate, Victorian American, 1859-1876" by Kirsten Pai Buick, 1994
"The Art of Johnnie Lee Gray: Picturing the Legacy of Jim Crow America" by Dr. Gwendolyn H. Everett, circa 2002
Select: "The Art of Johnnie Lee Gray: Picturing the Legacy of Jim Crow America" by Dr. Gwendolyn H. Everett, circa 2002
Thesis Proposal, Gilpin, circa 1990s
Select: Thesis Proposal, Gilpin, circa 1990s
Thesis Proposal, "The American Flag in African-American Art: A Study in Iconography" by Cynthia Ham, 1997
Select: Thesis Proposal, "The American Flag in African-American Art: A Study in Iconography" by Cynthia Ham, 1997 Scope and Contents Also includes printed material.
Thesis Proposal, "Peter Wayne Lewis: The Evolution of an Abstract Artist" by Donna Jackson, 2002
Select: Thesis Proposal, "Peter Wayne Lewis: The Evolution of an Abstract Artist" by Donna Jackson, 2002
"The American Grain, Cross-Cut" by [John Adkins] Richardson, circa 1980s
Select: "The American Grain, Cross-Cut" by [John Adkins] Richardson, circa 1980s
Speech by F. C. Richardson, circa 1980s
Select: Speech by F. C. Richardson, circa 1980s Scope and Contents Includes Richardson's application materials for Vice President for Academic Affairs at Jackson State University.
"2020 Visionaries: Varnette P. Honeywood and Bill Cosby: an artistic collaboration" Exhibition Proposal by Jontyle Robinson, circa 2014
Select: "2020 Visionaries: Varnette P. Honeywood and Bill Cosby: an artistic collaboration" Exhibition Proposal by Jontyle Robinson, circa 2014
"Literature as a Consequence of Critical Vision: the Work of Ishmael Reed" by Jerry W. Ward, Jr., circa 1970s-1980s
Select: "Literature as a Consequence of Critical Vision: the Work of Ishmael Reed" by Jerry W. Ward, Jr., circa 1970s-1980s
Unidentified and Partial Theses, undated
Select: Unidentified and Partial Theses, undated
Image assets for this folder have not been fully processed.
We apologize for any inconvenience.