Collection Information
Size: 3.7 Linear feet; 0.001 Gigabytes
Summary: The papers of sculptor and educator Marianna Pineda (1925-1996) date from 1943-1998 and measure 3.7 linear feet and 0.001 GB. The collection documents Pineda's career through biographical material, correspondence, exhibition files, project files, personal business records, printed and digital material, photographs, and some audiovisual material.
Biographical/Historical Note
Marianna Pineda (1925-1996) was a sculptor and educator from Boston, Massachusetts. Pineda studied at Cranbrook Academy with Carl Milles, Bennington College with Simon Moselsio, University of California, Berkley, with Raymond Puccinelli, Columbia University with Oronzio Maldarelli, and in Paris with Ossip Zadkine. She met her future husband while studying at Columbia, fellow sculptor Harold Tovish. Pineda exhibited her work in group exhibitions held at Brooklyn Museum, New York, Museum of Modern Art, New York, and the Carnegie Institute, Pennsylvania, and had solo shows at the Honolulu Academy of Art, Hawaii, Walker Art Center, Minnesota, George Washington University, Washington, D.C., and Swetzoff Gallery, Boston. Her public commissions include a 6-foot bronze sculpture, The Spirit of Lili'oukalani , located in Honolulu, Hawaii. Pineda's sculptures are found in the permanent collections of the Boston Public Library, Walker Art Center, Fogg Art Museum, Munson-Williams-Proctor Institute, and others. Pineda was an instructor at Newton College of the Sacred Heart and Boston College, and was an adjunct professor of sculpture at Boston University.
Provenance
The collection was donated by Marianna Pineda in 1989, and after her death by her widower, Harold Tovish, in 1997 and 1998.
Related Materials
Also found in the Archives of American Art is an oral history interview with Marianna Pineda conducted by Robert Brown, May 26 and June 14, 1977.
Funding Note
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.