Pearlman, Henry, b 1895-
The papers of Henry and Rose Pearlman in the Archives of American Art were digitized in 2012. The bulk of the papers have been scanned in their entirety, and total 5,450 images.
Funding for the processing and digitization of this collection was provided by the Princeton Art Museum. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Size: 4.38 Linear feet
Summary: The records of the Henry and Rose Pearlman papers measure 4.38 linear feet and date from 1893 to 1995 (bulk 1950-1980). The collection documents the activities of Post-Impressionist and Modern art collectors Henry and Rose Pearlman through correspondence, research materials, exhibition catalogs, photographs, and clippings.
Henry Pearlman (1895-1974), a lifelong resident of New York City, rose through the ranks of the business world to found his own company, Eastern Cold Storage, in 1919. In 1925, Henry married Rose. In the early 1940s, Pearlman purchased a few realist paintings, but it wasn't until his 1943 purchase of Chaim Soutine's Village Square that he was inspired to build what would become a noted collection of Post-Impressionist works. Over the next three decades, Pearlman acquired numerous works by such well-known artists as Soutine, Modigliani, Cezanne, Van Gogh, Renoir, Manet, Matisse, and Toulouse-Lautrec, in addition to those of lesser-known artists. In the early 1950s, Pearlman began collecting Cezanne watercolors. These paintings would become the cornerstone of his collection and would be exhibited around the world. Pearlman died in 1974, leaving his wife, Rose, to manage his collection until her death in 1994. From the mid-1970s, the Pearlman Collection has been on long-term loan to the Art Museum of Princeton. Read More
The Henry and Rose Pearlman papers were donated to the Archives of American Art in 2004 by Dorothy Edelman and Marge Scheuer, daughters of Henry and Rose Pearlman, care of the Henry and Rose Pearlman Foundation.
English .
The papers of Henry and Rose Pearlman in the Archives of American Art were digitized in 2012. The bulk of the papers have been scanned in their entirety, and total 5,450 images.
Funding for the processing and digitization of this collection was provided by the Princeton Art Museum. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
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